(© Universal Archive/Universal Images Group/Getty Images) And you could not listen to this music without experiencing those principles and sharing in that freedom.” Louis Armstrong plays for his wife, Lucille, in Egypt in 1961. “Those are both profoundly central aspects of the American political system. In jazz, you have to listen,” Nicholas Cull, public diplomacy professor at the University of Southern California told Voice of America in 2009. “In jazz, you are not afraid to improvise. Many played a raucous, free-flowing style of music that some say reflects the lively debate that often appears in American society and reflects its democracy. They visited schools and collaborated with local musicians. These Jazz Ambassadors traveled to Africa, Europe, the Middle East, South America and South Asia, drawing large crowds. Department of State invited jazz greats such as Louis Armstrong, Duke Ellington, Dizzy Gillespie and Sarah Vaughan to play in countries where few people had seen concerts starring American musicians. This tradition of music diplomacy dates to the mid-1950s, when the U.S. musicians have traveled the world offering beats and solos in a cultural exchange aimed at promoting better understanding between countries.
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